Third and final post of this series, the present article is intended to put a (far from definitive) point on my reflections on “malleability”, which, in my opinion, constitutes one of the structuring concepts of the “mediagraphic” scientific field...
In this series of posts, I’m interested in the concept of “malleability”, a term borrowed from Olga Kopylova’s very interesting paper which I consider to be one of the essential concepts for understanding graphic culture, and a central concept...
Isn’t “malleability” one of the primary properties of any graphic production? If I choose to use here the term “malleability”, it’s to clarify my intention : consider a graphic capacity to be shaped, altered (as if we were dealing with...
Une « méthode d’investigation […] piétonne » se proposant d’exploiter les apports de la « balade dans les lieux de passage des images animées » (Alban, 2019, §8) et au sein de toutes sortes de commerces (« flagship » et petits magasins de seconde main : voir « Géopolitique...
